Medbh, Máighréad (2024) Among love's apartments: a theory in practice of the auto-poetic essay. PhD thesis, Dublin City University.

Rana, Aashima (2024) Towards a folkloric commonality: adapting lores of Assam and the American South. PhD thesis, Dublin City University.

Cheong, Xian Hui Adel (2023) In the wake of postmodernism: experimental twenty-first-century fiction. PhD thesis, Dublin City University.

Kelleher, Mark (2023) The invention of isolation: a study of experimentalism in the works of David Markson and Don DeLillo. PhD thesis, Dublin City University.

Costello, Liza (2023) The pastoral mode in the writing of Dermot Healy. PhD thesis, Dublin City University.

Narang, Tapasya (2022) The poetics and politics of late modernism: a comparative study of Derek Mahon and Arun Kolatkar. PhD thesis, Dublin City University.

Bhattacharya, Anindita (2022) “Bid him bring the knife of the magic blade /At whose lightning flash the charm will fade”: re-Interpreting the fantastic in Irish and Bangla juvenile literature. PhD thesis, Dublin City University.

Mooney, Jennifer (2021) Feminism and power in the works of Louise O’Neill. PhD thesis, Dublin City University.

Buitendijk, Tomas (2021) Whales and windfarms: towards a poetics of the sea in the twenty-first century. PhD thesis, Dublin City University.

Skade, Annette (2021) “Watch this spillage”: allusion and intertext in the poetry of Anne Carson. PhD thesis, Dublin City University.

Howley, Ellen (2020) Oceanic connections: the sea and island spaces in Irish and Caribbean poetry. PhD thesis, Dublin City University.

Fryatt, Kit ORCID: 0000-0002-9683-3730 (2020) Austin Clarke. Aberdeen University Press, Aberdeen, Scotland. ISBN 978-1-85752-086-6

O'Dea, Arthur (2020) Older then, younger now: Bob Dylan's late style. PhD thesis, Dublin City University.

Dillon, Ellen (2019) Abstraction in contemporary poetry: an apprenticeship in reading. PhD thesis, Dublin City University.

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) The Taste of a Name. Short Film Studies, 10 (1). pp. 83-86. ISSN 2042-7824

Murphy, Paula ORCID: 0000-0002-9715-2216 (2019) Through the Looking Glass: Bodies of Data in Alex Garland's Ex Machina. Film International, 17 (3). pp. 79-85. ISSN 2040-3801

Murphy, Paula (2018) "You feel real to me, Samantha": the matter of technology in Spike Jonze's Her. Technoculture: An Online Journal of Technology in Society, 7 . ISSN ISSN 1938-0526

Honohan, Ailbhe (2017) God's "blood-curdling jokes" in Milton's Paradise Lost. Master of Arts thesis, Dublin City University.

Boyle, Kevin (2016) Genre and code in the work of John Banville. PhD thesis, Dublin City University.

D'Arcy, Rebecca (2016) Literary intersections at the metropolitan centre: mapping new London narratives of migrant experience in contemporary fiction. PhD thesis, Dublin City University.

Fryatt, Kit (2016) Southrons (and others) reading Briggflatts. In: Görtschacher, Wolfgang and Malcolm, David, (eds.) Sound Is/As Sense: Essays on Modern British and Irish Poetry. Gdańsk University Press, Gdańsk, Poland. ISBN 978-83-7865-443-8

Herron, Anne Marie (2011) The tyranny of the past? revolution, retrospection and remembrance in the work of Irish writer, Eilis Dillon. UNSPECIFIED thesis, Dublin City University.

Fryatt, Kit (2011) 'A minster minute': reflections on Barnsley Main Seam. In: Coleman, Philip and Johnston, Maria, (eds.) Reading Pearse Hutchinson: From Findrum to Fisterra. Irish Academic Press, Dublin, pp. 85-96. ISBN 9780716530831

McNulty, Eugene (2011) Before the Law(s): Wole Soyinka’s Death and the King’s Horseman and the passages of bare life. Postcolonial Text, 6 (3). pp. 1-14. ISSN 1705-9100

McNulty, Eugene (2010) Breaking the law: Patrick Pearse, cultural revival, and the site of sovereignty. Journal of Postcolonial Writing, 46 (5). pp. 479-490. ISSN 1744-9855

O'Sullivan, Kieth (2010) In a tradition of republican revolution: romanticism and Philip Pullman’s His Dark Materials. PhD thesis, Dublin City University.

Callinan, Louise (2010) Revered abroad, abused at home: Arthur Miller’s contentious dialogue with America. PhD thesis, Dublin City University.

Reid, James E. (2010) Walter Macken (1915-1967) - playwright, actor and theatre manager. PhD thesis, Dublin City University.

Keyes, Marian Thérèse (2010) “Taken from the Life” Mimetic Truth and Ekphrastic Eloquence in the Writings of Anna Maria Fielding Hall (1800-1881). PhD thesis, Dublin City University.

Brissett, Sandrine Michelle (2008) Bard of Modem Ireland: Perspectives on Voice and Mask within the Poetry of Brendan Kennelly. La voix et ses masques: approches de la poésie de Brendan Kennedy dans le cadre de la tradition bardique irlandaise. PhD thesis, Dublin City University/Universite Sorbonne Nouvelle.

Murphy, Paula (2008) Louise le Brocquy's philosophical navagatio. Journal of Franco-Irish Studies, 1 (1). pp. 27-41. ISSN 2009-7395

McNulty, Eugene (2007) Revival’s limit, or a post-revival space? Gerald MacNamara’s “Christmas Laughter”. Irish Studies Review, 15 (2). pp. 219-232. ISSN 0967-0882

Slowey, Desmond (2006) The role and image of the ascendancy in the Irish theatre, 1600-1900. PhD thesis, Dublin City University.

Murphy, Paula (2006) Staging histories in Marina Carr's Midlands Plays. Irish University Review: A Journal of Irish Studies, 36 (2). pp. 389-402. ISSN 0021-1427

Dunbar, Carole (2001) The Other Nation - an examination of the depiction of the poor in the children’s fiction of Mrs Molesworth, Mrs Ewing,Silas Hocking and Frances Hodgson Burnett. PhD thesis, Dublin City University.